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| Silent Night | |
|---|---|
| Christmas carol | |
| Silent-Night-Chapel in Oberndorf, Austria, stands on the site where the song was first performed | |
| Native name | Stille Nacht, heilige Nacht |
| Full title | Silent Night, Holy Night |
| Text | Joseph Mohr |
| Language | German |
| Melody | Franz Xaver Gruber |
| Performed | 24 December 1818 |
| Published | 1833 |
“Silent Night” (German: “Stille Nacht, heilige Nacht“) is a popular Christmas carol, composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr in the small town of Oberndorf bei Salzburg, Austria. It was declared an intangible cultural heritage by UNESCO in 2011. The song has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935 has sold 10 million copies as a single.
History
“Stille Nacht” was first performed on Christmas Eve 1818 at St Nicholas parish church in Oberndorf, a village in the Austrian Empire on the Salzach river in present-day Austria. A young Catholic priest, Father Joseph Mohr, had come to Oberndorf the year before. In the aftermath of the Napoleonic Wars, he had written the poem “Stille Nacht” in 1816 at Mariapfarr, the hometown of his father in the Salzburg Lungau region, where Joseph had worked as an assistant priest.
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By Public Domain, Link
The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf [de], now part of Lamprechtshausen. On Christmas Eve 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night’s mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and replaced with the Silent-Night-Chapel. It is unknown what inspired Mohr to write the lyrics, or what prompted him to create a new carol.
According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Obendorf church, was enamoured with the song, and took the composition home with him to the Zillertal. From there, two travelling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia, as well as making the first performance of the song in the U.S., in New York City in 1839. By the 1840s the song was well known in Lower Saxony and was reported to be a favourite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly played today.
Over the years, because the original manuscript had been lost, Mohr’s name was forgotten and although Gruber was known to be the composer, many people assumed the melody was composed by a famous composer, and it was variously attributed to Haydn, Mozart, or Beethoven. However, a manuscript was discovered in 1995 in Mohr’s handwriting and dated by researchers as c. 1820. It states that Mohr wrote the words in 1816 when he was assigned to a pilgrim church in Mariapfarr, Austria, and shows that the music was composed by Gruber in 1818. This is the earliest manuscript that exists and the only one in Mohr’s handwriting.
The first edition was published by Friese [de] in 1833 in a collection of Four Genuine Tyrolean Songs, with the following musical text: Franz Xaver Gruber, painted by Sebastian Stief (1846)
![\relative c'' {
\key c \major \set Staff.midiInstrument = #"acoustic guitar (nylon)"
\time 6/8 \set Score.tempoHideNote = ##t \tempo 4 = 60 \autoBeamOff
g8.^"First edition" [a16] g8 e4. | g8. [a16] g8 e4. | d'4 d16. [b32] b4. | c4 c16. [g32] g4. | a4 a8 c8. b16 a8 | g8. a16 g8 e4. |
a4 a8 c8. b16 a8 | g8. a16 g8 e4. | d'4 d8 f8.-> d16 b8 | c4. (e4) r8 | c8. [g16] e8 g8. f16 d8 | c4.~ c4 r8 \bar "|."
}](https://upload.wikimedia.org/score/r/4/r40gj00qemoln9e17eo91bmzk4nbzoq/r40gj00q.png)
The contemporary version, as in the choral example below, is:
![\relative c'' {
\key c \major \set Staff.midiInstrument = #"acoustic guitar (nylon)"
\time 6/8 \set Score.tempoHideNote = ##t \tempo 4 = 60 \autoBeamOff
g8.^"Contemporary" [(a16)] g8 e4. | g8. [a16] g8 e4. | d'4 d8 b4. | c4 c8 g4. | a4 a8 c8. [b16] a8 | g8. [a16] g8 e4. |
a4 a8 c8. [b16] a8 | g8. [a16] g8 e4. | d'4 d8 f8.-> [d16] b8 | c4. (e4) r8 | c8. [(g16)] e8 g8. [f16] d8 | c4.~ c4 r8 \bar "|."
}](https://upload.wikimedia.org/score/d/k/dkgu7up2oacliwkmhh9e6xvuy9qrxwq/dkgu7up2.png)
Translations
In 1859, the Episcopal priest John Freeman Young, then serving at Trinity Church, New York City, wrote and published the English translation that is most frequently sung today, translated from three of Mohr’s original six verses. The version of the melody that is generally used today is a slow, meditative lullaby or pastorale, differing slightly (particularly in the final strain) from Gruber’s original, which was a “moderato” tune in 6
8 time and siciliana rhythm. Today, the lyrics and melody are in the public domain, although newer translations usually are not.
In 1998 the Silent Night Museum in Salzburg commissioned a new English translation by Bettina Klein of Mohr’s German lyrics. Whenever possible, (and mostly), Klein leaves the Young translation unchanged, but occasionally Klein (and Mohr) varies markedly. For example, Nur das traute hochheilige Paar, Holder Knabe im lockigen Haar is translated by Young: “Round yon Virgin mother and child, Holy infant so tender and mild” whereas Klein rewords it: “Round yon godly tender pair, Holy infant with curly hair”, a translation closer to the original.
The carol has been translated into about 140 languages.
By Unknown source, Public Domain, Link
Lyrics
Autograph (c. 1860) of the carol by Franz Gruber
| German lyrics | Young’s English lyrics |
|---|---|
| Stille Nacht, heilige Nacht, Alles schläft; einsam wacht Nur das traute hochheilige Paar. Holder Knabe im lockigen Haar, Schlaf in himmlischer Ruh! Schlaf in himmlischer Ruh! Stille Nacht, heilige Nacht, Hirten erst kundgemacht Durch der Engel Halleluja, Tönt es laut von fern und nah: Christ, der Retter ist da! Christ, der Retter ist da! Stille Nacht, heilige Nacht, Gottes Sohn, o wie lacht Lieb’ aus deinem göttlichen Mund, Da uns schlägt die rettende Stund’. Christ, in deiner Geburt! Christ, in deiner Geburt! | Silent night! Holy night! All is calm, all is bright Round yon virgin mother and child! Holy infant, so tender and mild, Sleep in heavenly peace! Sleep in heavenly peace! Silent night! Holy night! Shepherds quake at the sight! Glories stream from heaven afar, Heavenly hosts sing Alleluia! Christ the Saviour is born! Christ the Saviour is born! Silent night! Holy night! Son of God, love’s pure light Radiant beams from thy holy face With the dawn of redeeming grace, Jesus, Lord, at thy birth! Jesus, Lord, at thy birth! |
Musical settings
Max Reger quotes the tune in the Christmas section of his organ pieces Sieben Stücke, Op. 145.
Alfred Schnittke composed an arrangement of “Stille Nacht” for violin and piano in 1978, as a holiday greeting for violinist Gidon Kremer. Due to its dissonant and nightmarish character, the miniature caused a scandal in Austria.
On record charts
Several recordings of “Silent Night” have reached the record charts in various countries. These include:
- 1969–1979: Percy Sledge No. 10 on the Dutch Charts
- 1972–1973: Tom Tomson No. 21 on the Belgium Ultratop Flanders chart and No. 10 on its Wallonia chart
- 1975–1976: The Cats No. 10 on the Dutch Charts
- 1991–1992: Sinéad O’Connor No. 71 on the Dutch Charts
- 2007–2008: Josh Groban No. 5 on the Norwegian Charts and No. 19 on the U.S. Billboard Adult Contemporary Chart
- 2008: Glasvegas No. 42 on the Swedish Charts
- 2009: Mariah Carey No. 67 on the U.S. Billboard Digital Song Sales Chart
- 2013–2014: Elvis Presley No. 120 on the French Charts
- 2013–2014: Nat King Cole No. 125 on the French Charts
Silent Night (Oíche Chiúin) – Enya
The Three Tenors – Silent Night | Christmas in Vienna ᴴᴰ
Kelly Clarkson – Silent Night ft. Trisha Yearwood, Reba McEntire
Helene Fischer | Stille Nacht (Live aus der Hofburg Wien)
Cliff Richard – Silent Night
Silent Night
Dean Martin – Silent Night
Silent night – Instrumental By Dave Monk
In film
Several theatrical and television films depict how the song was ostensibly written. Most of them report the organ breaking down at the church in Oberndorf, which appeared in a fictional story published in the U.S. in the 1930s.
- The Legend of Silent Night (1968) TV film directed by Daniel Mann
- Silent Night, Holy Night (1976) animated short film by Hanna-Barbera.
- Silent Mouse (1988) television special directed and produced by Robin Crichton and narrated by Lynn Redgrave.
- Buster & Chauncey’s Silent Night (1998) direct-to-video animated featurette
- Silent Night (2012) directed by Christian Vuissa
- The First Silent Night (2014), documentary narrated by Simon Callow
- Stille Nacht – ein Lied für die Welt (2018), music documentary created and directed by Hannes M. Schalle, narrated by Peter Simonischek. An English version, Silent Night – A Song for the World (2020), narrated by Hugh Bonneville, was released two years later.
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