She Wore a Yellow Ribbon (Original Soundtrack)

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From Wikipedia, the free encyclopedia
She Wore a Yellow Ribbon
Sheworeayellowribbonpost.jpg

Theatrical release poster
Directed by John Ford
Produced by Argosy Pictures
Screenplay by
Based on The Big Hunt
1947 story in The Saturday Evening Post
War Party
1948 in The Saturday Evening Post
by James Warner Bellah
Starring
Narrated by Irving Pichel
Music by Richard Hageman
Cinematography Winton Hoch
Edited by Jack Murray
Production
company
Argosy Pictures
Distributed by RKO Radio Pictures
Release date
Running time
103 minutes
Country United States
Language English
Budget $1.6 million
Box office $2.7 million (rentals)

She Wore a Yellow Ribbon is a 1949 Technicolor Western film directed by John Ford and starring John Wayne. The Oscar-winning film was the second of Ford’s Cavalry trilogy films, along with Fort Apache (1948) and Rio Grande (1950). With a budget of $1.6 million, the film was one of the most expensive Westerns made up to that time. It was a major hit for RKO. The film takes its name from “She Wore a Yellow Ribbon“, a popular US military song that is used to keep marching cadence.

The film was shot on location in Monument Valley utilizing large areas of the Navajo reservation along the ArizonaUtahstate border. Ford and cinematographer Winton Hoch based much of the film’s imagery on the paintings and sculptures of Frederic Remington. The film won the Academy Award for Best Cinematography, Color in 1950. It was also nominated as 1950’s Best Written American Western (which the Writers Guild of America awarded to Yellow Sky).

The Post Headquarters building, where Capt. Nathan Brittles (John Wayne) was quartered in She Wore a Yellow Ribbon, is located at Goulding’s Trading Post near Monument Valley. (37°00′24.6″N 110°12′13.7″W)Director John Ford’s older brother Francis appears in only one scene as Connolly, the barman. Ford kept Francis on wages “for eight weeks even through Francis could have completed his scenes in less than a week.” Other uncredited cast members include: Harry Woods as Karl Rynders, the sutler; Cliff Lyons as Trooper Cliff; Mickey Simpson as Wagner, the blacksmith; Fred Libby as Corporal Kumrein; and Rudy Bowman as Private Smith. Among Rynders’ associates is veteran character actor Paul Fix (Harry Carey, Jr.’s father-in-law) in a small uncredited role.
Director Ford initially was uncertain who to cast in the lead role. However, he knew that he did not want John Wayne for the part—considering, among other factors, that Wayne would be playing a character over twenty years older than he was at the time. Reportedly, Wayne’s 1948 performance in Red River changed Ford’s mind, causing him to exclaim, “I didn’t know the big son of a bitch could act!” Ford realized Wayne had grown considerably as an actor, and was now capable of playing the character he envisaged for this film. When shooting was completed, Ford presented Wayne with a cake with the message, “You’re an actor now.” The role also became one of Wayne’s favorite performances. Wayne, himself, felt that his Academy Award nomination for Best Actor of 1949 should have been for She Wore a Yellow Ribbon instead of Sands of Iwo Jima.

The cast and crew lived in relatively primitive conditions in Monument Valley. Most slept in dirt-floor cabins that only had communal cold-water drum showers. The film was completed ahead of schedule and under budget.

Although the film’s cinematographer, Winton Hoch, won an Academy Award for his work, filming was not a smooth creative process because of conflicts with Ford. Ironically one of the most iconic scenes from the film was created during a dispute. As a line of cavalry rode through the desert, a real thunderstorm grew on the horizon. Hoch began to pack up the cameras as the weather worsened only for Ford to order him to keep shooting. Hoch argued that there was not enough natural light for the scene and, more importantly, the cameras could become potential lightning rods if the storm swept over them. Ford ignored Hoch’s complaints; completing the scene as the thunderstorm rolled in, soaking the cast and crew. Hoch later had filed a letter of complaint against Ford with the American Society of Cinematographers over the filming of this scene.

The story of Hoch’s refusal to shoot in this thunderstorm has often been repeated, but actor Harry Carey, Jr., who was on the set, contests it. He says Ford had finished shooting for the day, but when the picturesque storm brewed he asked Hoch if they could shoot in the declining light. Hoch answered, “It’s awfully dark, Jack. I’ll shoot it. I just can’t promise anything.” Ford then instructed, “Winnie, open her up [the camera lens] and let’s go for it. If it doesn’t turn out, I’ll take the rap.” Winnie complied, saying, “Fair enough, Jack.”




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