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The Man with the Golden Gun | |
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British cinema poster for The Man with the Golden Gun, designed by Robert McGinnis | |
Directed by | Guy Hamilton |
Produced by | Albert R. Broccoli Harry Saltzman |
Screenplay by | Richard Maibaum Tom Mankiewicz |
Based on | The Man with the Golden Gun by Ian Fleming |
Starring | Roger Moore Christopher Lee Britt Ekland Maud Adams |
Music by | John Barry |
Cinematography | Ted Moore Oswald Morris |
Edited by | Raymond Poulton John Shirley |
Production company | Eon Productions |
Distributed by | United Artists |
Release date | 19 December 1974(London, premiere) |
Running time | 125 minutes |
Country | United Kingdom |
Language | English Thai |
Budget | $7 million |
Box office | $97.6 million |
The Man with the Golden Gun is a 1974 British spy film, the ninth in the James Bond series produced by Eon Productions, and the second to star Roger Moore as the fictional MI6 agent James Bond. A loose adaptation of Ian Fleming‘s novel of the same name, the film has Bond sent after the Solex Agitator, a device that can harness the power of the sun, while facing the assassin Francisco Scaramanga, the “Man with the Golden Gun”. The action culminates in a duel between them that settles the fate of the Solex.
The Man with the Golden Gun was the fourth and final film in the series directed by Guy Hamilton. The script was written by Richard Maibaum and Tom Mankiewicz. The film was set in the face of the 1973 energy crisis, a dominant theme in the script. Britain had still not yet fully overcome the crisis when the film was released in December 1974. The film also reflects the then popular martial arts film craze, with several kung fu scenes and a predominantly Asian location, being set and shot in Thailand, Hong Kong, and Macau. Part of the film is also set in Beirut, Lebanon, but it was not shot there.
The film was met with mixed reviews, and some critics described it as the lowest point in the canon up to that time. Christopher Lee‘s portrayal of Scaramanga as a villain of similar skill and ability to Bond was generally praised, but reviewers criticized the film as a whole, particularly its comedic approach and the performances of Moore and Britt Ekland. Although the film was profitable, it is the fourth lowest grossing film in the series. It was also the last film to be co-produced by Albert R. Broccoli and Harry Saltzman, with Saltzman selling his 50% stake in Danjaq, LLC, the parent company of Eon Productions, after the release of the film.
Albert R. Broccoli and Harry Saltzman intended to follow You Only Live Twice with The Man with the Golden Gun, inviting Roger Moore to the Bond role. However, filming was planned in Cambodia, and the Samlaut Uprising made filming impractical, leading to the production being cancelled. On Her Majesty’s Secret Servicewas produced instead with George Lazenby as Bond. Lazenby’s next Bond film, Saltzman told a reporter, would be either The Man with the Golden Gun or Diamonds Are Forever. The producers chose the latter title, with Sean Connery returning as Bond.
Broccoli and Saltzman then decided to start production on The Man with the Golden Gun after Live and Let Die. This was the final Bond film to be co-produced by Saltzman as his partnership with Broccoli was dissolved after the film’s release. Saltzman sold his 50% stake in Eon Productions’s parent company, Danjaq, LLC, to United Artists to alleviate his financial problems. The resulting legalities over the Bond property delayed production of the next Bond film, The Spy Who Loved Me, for three years.
The novel is mostly set in Jamaica, a location which had been already used in the earlier films, Dr. No and Live and Let Die; The Man with the Golden Gun saw a change in location to put Bond in the Far East for the second time. After considering Beirut, where part of the film is set, Iran, where the location scouting was done but eventually discarded because of the Yom Kippur War, and the Hạ Long Bay in Vietnam, the production team chose Thailand as a primary location, following a suggestion of production designer Peter Murton after he saw pictures of the Phuket bay in a magazine. Saltzman was happy with the choice of the Far East for the setting as he had always wanted to go on location in Thailand and Hong Kong. During the reconnaissance of locations in Hong Kong, Broccoli saw the wreckage of the former RMS Queen Elizabeth and came up with the idea of using it as the base for MI6’s Far East operations.
Tom Mankiewicz wrote a first draft for the script in 1973, delivering a script that was a battle of wills between Bond and Scaramanga, who he saw as Bond’s alter ego, “a super-villain of the stature of Bond himself.” Tensions between Mankiewicz and Guy Hamilton and Mankiewicz’s growing sense that he was “feeling really tapped out on Bond” led to the re-introduction of Richard Maibaum as the Bond screenwriter.
Maibaum, who had worked on six Bond films previously, delivered his own draft based on Mankiewicz’s work. Much of the plot involving Scaramanga being Bond’s equal was sidelined in later drafts. For one of the two main aspects of the plot, the screenwriters used the 1973 energy crisis as a backdrop to the film, allowing the MacGuffin of the “Solex agitator” to be introduced; Broccoli’s stepson Michael G. Wilson researched solar power to create the Solex.
While Live and Let Die had borrowed heavily from the blaxploitation genre, The Man with the Golden Gun borrowed from the martial arts genre that was popular in the 1970s through films such as Fist of Fury (1972) and Enter the Dragon (1973). However, the use of the martial arts for a fight scene in the film “lapses into incredibility” when Lt Hip and his two nieces defeat an entire dojo.
Originally, the role of Scaramanga was offered to Jack Palance, but he turned the opportunity down. Christopher Lee, who was eventually chosen to portray Scaramanga, was Ian Fleming‘s step-cousin and Fleming had suggested Lee for the role of Dr. Julius No in the 1962 series opener Dr. No. Lee noted that Fleming was a forgetful man and by the time he mentioned this to Broccoli and Saltzman they had cast Joseph Wiseman in the part. Due to filming on location in Bangkok, his role in the film affected Lee’s work the following year, as director Ken Russell was unable to sign Lee to play The Specialist in the 1975 film Tommy, a part eventually given to Jack Nicholson.
Two Swedish models were cast as the Bond girls, Britt Ekland and Maud Adams. Ekland had been interested in playing a Bond girl since she had seen Dr. No, and contacted the producers about the main role of Mary Goodnight. Hamilton met Adams in New York, and cast her because “she was elegant and beautiful that it seemed to me she was the perfect Bond girl”. When Ekland read the news that Adams had been cast for The Man with the Golden Gun, she became upset, thinking Adams had been selected to play Goodnight. Broccoli then called Ekland to invite her for the main role, as after seeing her in a film, Broccoli thought Ekland’s “generous looks” made her a good contrast to Adams. Hamilton decided to put Marc Lawrence, whom he had worked with on Diamonds Are Forever, to play a gangster shot dead by Scaramanga at the start of the film, because he found it an interesting idea to “put sort of a Chicago gangster in the middle of Thailand”.
1972: The wreck of the Seawise University, the former RMS Queen Elizabeth, in Victoria Harbour, Hong Kong
Filming commenced on 6 November 1973 at the partly submerged wreck of the RMS Queen Elizabeth, which acted as a top-secret MI6 base grounded in Victoria Harbour in Hong Kong. The crew was small, and a stunt double was used for James Bond. Other Hong Kong locations included the Hong Kong Dragon Garden as the estate of Hai Fat, which portrayed a location in Bangkok. The major part of principal photography started on 18 April 1974 in Thailand. Thai locations included Bangkok, Thon Buri, Phuket and the nearby Phang Nga Province, on the islands of Ko Khao Phing Kan (Thai: เกาะเขาพิงกัน) and Ko Tapu (Thai: เกาะตะปู). Scaramanga’s hideout is on Ko Khao Phing Kan, and Ko Tapu is often now referred to as James Bond Island both by locals and in tourist guidebooks. The scene during the boxing match used an actual Muay Thai fixture at the Lumpinee Boxing Stadium.
“[A] car chase [in Bangkok occurred] near a [canal or] khlong on Krung Kasem Road”.
Production returned in late April to Hong Kong, and also to Macau, for that island is famous for its casinos, which Hong Kong lacks. Some scenes in Thailand had to be finished, and production had to move to studio work in Pinewood Studios; this included sets such as Scaramanga’s solar energy plant and island interior. Academy Award winner Oswald Morris was hired to finish the job after cinematographer Ted Moore became ill. Morris was initially reluctant, as he did not like his previous experiences taking over other cinematographers’ work, but accepted after dining with Broccoli. Production wrapped in Pinewood in August 1974.
One of Scaramanga’s Island’s outcrops (high tide)
One of the main stunts in the film consisted of stunt driver “Bumps” Willard (as James Bond) driving an AMC Hornet leaping a broken bridge and spinning around 360 degrees in mid-air about the longitudinal axis, doing an “aerial twist”; Willard successfully completed the jump on the first take. The stunt was shown in slow motion, for the scene was otherwise too fast. Composer John Barry added a slide whistle sound effect over the stunt, which Broccoli kept in despite thinking that it “undercouped the stunt”. Barry later regretted his decision, thinking the whistle “broke the golden rule” as the stunt was “for what it was all worth, a truly dangerous moment, … true James Bond style”. The sound effect was described as “simply crass”. The writer Jim Smith suggested that the stunt “brings into focus the lack of excitement in the rest of the film and is spoilt by the use of ‘comedy’ sound effects.” Eon Productions had licensed the stunt, which had been designed by Raymond McHenry. It was initially conceived at Cornell Aeronautical Laboratory (CAL) in Buffalo, New York as a test for their vehicle simulation software. After development in simulation, ramps were built and the stunt was tested at CAL’s proving ground. It toured as part of the All American Thrill Show as the Astro Spiral before it was picked up for the film. The television programme Top Gear attempted to repeat the stunt in June 2008, but failed. The scene where Scaramanga’s Matador flies was shot at Bovington Camp, with a model inspired by an actual car plane prototype. Bond’s duel with Scaramanga, which Mankewicz said was inspired by the climactic faceoff in Shane, was shortened as the producers felt it was causing pacing problems. The trailers featured some of the cut scenes.
Hamilton adapted an idea of his involving Bond in Disneyland for Scaramanga’s funhouse. The funhouse was designed to be a place where Scaramanga could get the upper hand by distracting the adversary with obstacles, and was described by Murton as a “melting pot of ideas” which made it “both a funhouse and a horror house”. While an actual wax figure of Roger Moore was used, Moore’s stunt double Les Crawford was the cowboy figure, and Ray Marione played the Al Capone figure. The canted sets such as the funhouse and the Queen Elizabeth had inspiration from German Expressionist films such as The Cabinet of Dr. Caligari. For Scaramanga’s solar power plant, Hamilton used both the Pinewood set and a miniature projected by Derek Meddings, often cutting between each other to show there was no discernible difference. The destruction of the facility was a combination of practical effects on the set and a destruction of the miniature. Meddings based the island blowing up on footage of the Battle of Monte Cassino.
The Golden Gun.
Scaramanga’s Golden Gun
Three Golden Gun props were made; a solid piece, one that could be fired with a cap and one that could be assembled and disassembled, although Christopher Lee said that the process “was extremely difficult.” The gun was “one of the more memorable props in the Bond series” and consisted of an interlocking fountain pen (the barrel), cigarette lighter (the bullet chamber), cigarette case (the handle) and cufflink (the trigger) with the bullet secured in Scaramanga’s belt buckle. In the film, the gun was designed to accept a single 4.2-millimetre, 23-carat gold bullet produced by Lazar, a gunsmith in Macau who specialized in custom weapons and ammunition. The Golden Gun ranked sixth in a 2008 20th Century Fox poll of the most popular film weapons, which surveyed approximately 2,000 film fans.
On 10 October 2008, it was discovered that one of the golden guns used in the film, which is estimated to be worth around £80,000, was missing (suspected stolen) from Elstree Props, a company based at Hertfordshire studios.
The theme tune to The Man with the Golden Gun, released in 1974, was performed by Scottish singer Lulu and composed by John Barry. Tony Bramwell, who worked for Harry Saltzman’s music publishing company Hilary Music, wanted Elton John or Cat Stevens to sing the title song. However, by this time the producers were taking turns producing the films; Albert Broccoli—whose turn it was to produce—rejected Bramwell’s suggestions. The lyrics to the Lulu song were written by Don Black and have been described variously as “ludicrous”, “inane” and “one long stream of smut”, because of their sexual innuendo. Bramwell subsequently dismissed the Barry-Lulu tune as “mundane”.
Alice Cooper wrote a song titled “Man with the Golden Gun” to be used by the producers of the film, but they opted for Lulu’s song instead. Cooper released his song in his album Muscle of Love.
Barry had only three weeks to score The Man with the Golden Gun and the theme tune and score are generally considered by critics to be among the weakest of Barry’s contributions to the series, an opinion shared by Barry himself: “It’s the one I hate most … it just never happened for me.” The Man with the Golden Gun was also the first to drop the distinctive plucked guitar from the theme heard over the gun barrel opening. A sample from one of the songs, “Hip’s Trip”, was used by The Prodigy in the “Mindfields” track on the album The Fat of the Land.
The James Bond 007 pistol, produced by Lone Star Toys.
The Man with the Golden Gun was premiered at the Odeon Leicester Square in London on 19 December 1974, with general release in the United Kingdom the same day. The film was made with an estimated budget of $7 million; despite initial good returns from the box office, The Man with the Golden Gun grossed a total of $97.6 million at the worldwide box office, with $21 million earned in the USA, making it the fourth lowest-grossing Bond film in the series.
David Robinson, the film critic at The Times, dismissed the film and Moore’s performance, saying that Moore was “substituting non-acting for Connery’s throwaway”, while Britt Ekland was “his beautiful, idiot side-kick … the least appealing of the Bond heroines.” Robinson was equally damning of the changes in the production crew, observing that Ken Adam, an “attraction of the early Bond films,” had been “replaced by decorators of competence but little of his flair.” The writers “get progressively more naive in their creation of a suburban dream of epicureanism and adventure.” Writing for The New York Times, Nora Sayre considered the film to suffer from “poverty of invention and excitement”, criticising the writing and Moore’s performance and finding Villechaize and Lee as the only positive points for their “sinister vitality that cuts through the narrative dough.”
The Sunday Mirror critic observed that The Man with the Golden Gun “isn’t the best Bond ever” but found it “remarkable that Messrs. Saltzman and Broccoli can still produce such slick and inventive entertainment”. Arthur Thirkwell, writing in the Sunday Mirror‘s sister paper, the Daily Mirror, concentrated more on lead actor Roger Moore than the film itself: “What Sean Connery used to achieve with a touch of sardonic sadism, Roger Moore conveys with roguish schoolboy charm and the odd, dry quip.” Thirkwell also said that Moore “manages to make even this reduced-voltage Bond a character with plenty of sparkle.” Judith Crist of New York Magazine gave a positive review, saying “the scenery’s grand, the lines nice and the gadgetry entertaining”, also describing the production as a film that “capture[s] the free-wheeling, whooshing non-sense of early Fleming’s fairy tale for grown-ups orientation”.
Watch the trailer ” The Man With The Golden Gun”
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