Let It Go

From Wikipedia, the free encyclopedia

“Let It Go” is a song from Disney‘s 2013 computer-animated feature film Frozen, whose music and lyrics were composed by husband-and-wife songwriting team Robert Lopez and Kristen Anderson-Lopez. The song was performed in its original show-tune version in the film by American actress and singer Idina Menzel in her vocal role as Queen Elsa. It was later released as a single, being promoted to adult contemporary radio by Walt Disney Records in January 2014. Anderson-Lopez and Lopez also composed a simplified pop version (with shorter lyrics and background chorus) which was performed by actress and singer Demi Lovato over the start of the film’s closing credits. Disney’s music division planned to release Lovato’s version of the song before Menzel’s, as they did not consider Menzel’s version a traditional pop song. A music video was released separately for Lovato’s version.

The song was a commercial success, becoming the first song from a Disney animated musical to reach the top ten of the Billboard Hot 100 since 1995, when Vanessa L. Williams‘s “Colors of the Wind” from Pocahontas peaked at number four on the chart. The song is also Menzel’s first single to reach the top 10 on the Billboard Hot 100 chart, making her the first Tony Award winner for acting to ever reach the top 10. The song was the ninth-best-selling song of 2014 in the United States, with 3.37 million copies sold in that year. As of December 2014, the song had sold 3.5 million copies in the US. It was the biggest-selling foreign song from any original soundtrack in South Korea as of March 12, 2014.

The song presents Queen Elsa, who flees her kingdom when she publicly loses control of her ability to generate ice. Up in the mountains and away from the townspeople, Elsa realizes that she no longer needs to hide her ability and rejoices in not only being able to use her power freely but also the freedom from others’ expectations of her as a royal. She sheds her royal accessories, creates a living snowman, and builds an ice castle for herself.

“Let It Go” reached the top five on the Billboard Hot 100 chart, and won both the Academy Award for Best Original Song in 2014 and the Grammy Award for Best Song Written for Visual Media in 2015. The song gained international recognition, becoming one of the most globally recorded Disney songs, with versions sung in 25 languages for the film’s international releases.

According to the International Federation of the Phonographic Industry, “Let It Go” sold 10.9 million copies in 2014, becoming the year’s fifth best-selling song.

A remix EP was released digitally by Walt Disney Records on May 19, 2014. The EP features four remixes by Dave Audé, Papercha$er, DJ Escape & Tony Coluccio and Corbin Hayes. Armin van Buuren produced another remix of the song for the remix album, Dconstructed.

History and use in Frozen

Background and composition

The Daily Telegraph explained that instead of the villain originally envisioned by the producers, the songwriters saw Elsa as “a scared girl struggling to control and come to terms with her gift.” When interviewed in January 2014 by John August and Aline Brosh McKenna, Frozen director Jennifer Lee gave her recollection of the song’s conception: “Bobby and Kristen said they were walking in Prospect Park, and they just started talking about what would it feel like [to be Elsa]. Forget villain. Just what it would feel like. And this concept of letting out who she is[,] that she’s kept to herself for so long[,] and she’s alone and free, but then the sadness of the fact [sic] that the last moment is she’s alone. It’s not a perfect thing, but it’s powerful.”

“Let It Go” was the first song written by Kristen Anderson-Lopez and Robert Lopez for the film that made it in, since songs composed earlier were eventually cut. The story outline they were given had a place reserved for “Elsa’s Badass Song”, which was what they were trying to write. The duo took inspiration from the songs of the Disney Renaissance such as The Little Mermaid and Beauty and the Beast and various artists including Adele, Aimee Mann, Avril Lavigne (whose 2002 debut album incidentally is titled Let Go), Lady Gaga, and Carole King. The song finally began to gel one day as the couple walked together from their home in Park Slope to nearby Prospect Park while they were “thinking from an emo kind of place.” Anderson-Lopez explained what happened next: “We went for a walk in Prospect Park and threw phrases at each other. What does it feel like to be the perfect exalted person, but only because you’ve held back this secret? Bobby came up with ‘kingdom of isolation,’ and it worked.” Lopez was able to improvise the song’s first four lines on the spot. Back at their home studio, they composed the rest of the song by alternating between improvising melodies on a piano and brainstorming lyrics on a whiteboard, and finished it within a single day.

“Let It Go” is a power ballad and musical number in the key of A-flat major overall, but begins in the relative minor (F minor). The song is in quadruple meter, and has a fast tempo of around 137 beats per minute (allegro). The song’s vocal range spans from F₃ to E♭₅. Anderson-Lopez and Lopez specifically wrote the song for Idina Menzel, referring to her as “one of the most glorious voices of Broadway and an icon in musical theater.” Menzel’s vocal range was taken under consideration during the music’s composition, as she was well able to span three octaves. The song was originally written a half-step lower, in the key of G. During recording, Menzel felt it sounded “womanly” and “sultry” and suggested raising the key to make it more “innocent” and “juvenile”, which also made it more challenging to perform.

Recording

For each song they created, including “Let It Go”, Anderson-Lopez and Lopez recorded a demo in their studio, then emailed it to the Disney Animation production team in Burbank for discussion at their next videoconference. After the film’s release, Anderson-Lopez was shown an “explicitly honest” fan version of the song with very colorful lyrics, and in response, she noted that in the videoconferences she herself had used similarly candid language to describe Elsa’s mindset at that point in the plot: “After a while, Chris Montan, the head of music at Disney, would be like, ‘Whoa, language!'” She also disclosed that Disney Animation’s Chief Creative Officer John Lasseter (who served as executive producer for Frozen) was so taken with “Let It Go” that he played her original demo of the song in his car for months.

Once approved, the song’s piano-vocal score, along with the rest of their work for Frozen, was eventually forwarded to arranger David Metzger at his home studio in Salem, Oregon, who orchestrated their work into a lush sound suitable for recording by a full orchestra at the Eastwood Scoring Stage on the Warner Bros. studio lot in Burbank at the end of July 2013. The song’s vocal track was recorded separately prior to orchestration at Sunset Sound in Hollywood, with the piano track from the demo playing into Menzel’s headphones. That piano track, played by Lopez himself, was not re-recorded by a session musician at the orchestral recording session; it is the same piano track heard in the final mix of the song.

Character rewrite and film sequence

Although unintentional, the song’s composition was pivotal in the film’s characterization of Elsa. Although Elsa was originally written as a villain, co-directors Chris Buck and Lee gradually rewrote Elsa into one of the film’s protagonists after “Let It Go” was composed. About that, Lee later explained, “the minute we heard the song the first time, I knew that I had to rewrite the whole movie.” Buck further clarified: “Jen had to go back and rewrite some pages in the first act to build up to that scene….. You have to set it up well enough in advance so that when the song comes, the audience is ready for it and there’s an emotional payoff.”

When it came to animating Elsa’s scenes for the song, Lopez and Anderson-Lopez insisted on the particular detail that Elsa should slam the palace doors on the audience at the song’s end, which they acknowledged was similar to the ending of the Broadway musical Sweeney Todd. Lopez explained that they wanted that feeling of how “this character doesn’t need us anymore,” because he had always loved that feeling “when a character just kind of malevolently looks at you and slams a door in your face,” although in the final version, Elsa’s facial expression ended up as more of a “sly smile”. According to Lopez, it was the last line at the end, “the cold never bothered me anyway,” that was “our little Avril Lavigne line”.

On December 6, 2013, Walt Disney Animation Studios released a video of the entire “Let It Go” sequence as seen in the movie, which has over 870 million views as of November 2023 on YouTube. On January 30, 2014, a sing-along version of the sequence was released and has received more than 3.2 billion views on YouTube as of November 2023, and is one of the platform’s 40 most-viewed videos.

International versions

Besides the original English version, Disney Character Voices International arranged for Frozen to be dubbed into another 41 languages and dialects worldwide, to which 3 more versions were added in the following years, raising the number of official versions to 44. A major challenge was to find sopranos capable of matching Menzel’s warm vocal tone and vocal range in their native languages. Rick Dempsey, senior executive at Disney Character Voices International regarded the process as “exceptionally challenging”, explaining, “It’s a difficult juggling act to get the right intent of the lyrics and also have it match rhythmically to the music. And then you have to go back and adjust for lip sync! [It]… requires a lot of patience and precision”.

On January 22, 2014, Disney released a multi-language version of the “Let It Go” musical sequence, which featured vocal performances of 25 different voice actresses who portrayed Elsa in their respective dubbing versions of the film. At the annual meeting of the shareholders of the Walt Disney Company on March 18, 2014, in Portland, Oregon, chairman and chief executive officer Bob Iger praised the team who did “an incredible job casting fantastic international talent so that Frozen truly belongs to the world,” then showed the entire multi-language video clip of “Let It Go” to the assembled shareholders. On March 31, 2014, an in-studio multi-language video of the song was released, showing singers of 25 different languages recording their versions of “Let It Go”.

On April 15, 2014, Walt Disney Records released a compilation album titled Let It Go: The Complete Set, with all 42 foreign-language film versions of “Let It Go” and nine end credit versions.

The Italian version, along with the whole Italian adaptation of the movie, was awarded the best foreign dubbing worldwide.

In South Korea, the Korean version of the song by Hye Na Park [ko] reached number 80 on the Gaon Music Chart in March, while the Japanese versions of the song performed by Takako Matsu reached number 2 on the Japan Hot 100 after the film’s Japanese release in March 2014 and was certified a million for digital downloads in Japan in May 2014. And Dikky An who cover in Filipino Bumitaw.

Reception

Critical reception

“Let It Go” received widespread acclaim from film critics, music critics, and audiences, with some comparing it favorably to “Defying Gravity” (also performed by Menzel) from the Broadway musical Wicked. The Rochester City Newspaper called it the best song of the film’s soundtrack, writing; “Performed with belty gusto by Idina Menzel, it’s got every element needed to be a lasting favorite. … Menzel should be credited for providing as much power and passion to this performance as she did in her most famous role.” Entertainment Weekly‘s Marc Snetiker described the song as “an incredible anthem of liberation” while Joe Dziemianowicz of New York Daily News called it “a stirring tribute to girl power and the need to ‘let go’ of fear and shame”.

On the other hand, Jim DeRogatis and Greg Kot of the radio show Sound Opinions criticized the song; DeRogatis labeled it “schlock”, and Kot described it as a “clichéd piece of fluff that you would have heard on a Broadway soundtrack from maybe the fifties or the sixties”.

By spring 2014, many journalists had observed that after watching Frozen, numerous young children in the United States were becoming unusually obsessed with the film’s music, and with “Let It Go” in particular. Columnist Yvonne Abraham of The Boston Globe called the song “musical crack” which “sends kids into altered states.” A similar phenomenon was described in the United Kingdom.

Perceived parallels

Some viewers outside the film industry, including one evangelical pastor and commentators,^[75] believe that the film is a promotion for the normalization of homosexuality, while others have argued that the character of Elsa is a representation of positive LGBT youth and the song is a metaphor for coming out. The LGBT community, however, had a mixed reaction to these claims. When Frozen co-director Jennifer Lee was asked about the purported gay undertones, she stated that the film’s meaning was open to interpretation: “I feel like once we hand the film over, it belongs to the world, so I don’t like to say anything, and let the fans talk. I think it’s up to them.” Lee added that the film’s meaning was also inevitably going to be interpreted within the cultural context of being made in the year 2013.

Another interpretation for the song and the movie is that they promote self-affirmation for people with disabilities, especially those on the autism spectrum. Co-writer Kristen Andersen-Lopez has stated that her younger brother has autistic traits and that inspired the song insofar as it deals with the concept of having a “special sibling.”

In November 2017, Chilean pop singer Jaime Ciero sued Disney, Idina Menzel, and Demi Lovato, claiming that “Let It Go” was extremely similar to his 2008 song “Volar”. Ciero dropped the suit in May 2019.

Accolades

Main article: List of accolades received by Frozen (2013 film)

“Let It Go” won the Academy Award for Best Original Song at the 86th Academy Awards, where a shortened rendition of the show-tune version was performed live by Menzel; with the award, Robert Lopez became one of few people to have won an Emmy, Grammy, Oscar, and Tony.

Track listing

Charts

Comments