Uploaded by STEVEN ANG on June 16, 2024 at 6:04 pm
Johnny Nash – The Voice Of Love
The Voice Of Love (Song)
Released in 1959, Johnny Nash's "The Voice of Love" is a soulful ballad offering guidance on navigating the sometimes confusing world of romantic emotions. The song explores the tension between outward appearances and genuine feelings, urging the listener to be cautious but not cynical in their search for love.
The melancholic melody is punctuated by a steady doo-wop beat, creating a soundscape that reflects the song's contemplative message. The lyrics paint a picture of potential deception. Someone might look at you and make promises, but those looks and words can be deceiving. "Sweet is her tender sigh," Nash sings, "But sighs very often lie."
The chorus serves as the song's core message: "The voice of love will call to you." This "voice" isn't simply spoken words but a deeper sincerity that transcends outward gestures. The song encourages the listener to be patient and discerning. Don't surrender your heart entirely until you hear this genuine expression of love.
"The Voice of Love" became a signature song for Nash, a Jamaican-born singer who rose to fame in the late 1950s and early 1960s. While his later career would be defined by reggae hits like "I Can See Clearly Now," "The Voice of Love" showcased his smooth vocals and ability to deliver a heartfelt message.
The song's message of cautious optimism about love remains relevant today. In an age of online dating and social media curated personas, "The Voice of Love" serves as a reminder to look beyond surface appearances and trust your intuition when seeking a genuine connection.
John Lester Nash Jr. (August 19, 1940 – October 6, 2020) was an American singer, best known in the United States for his 1972 hit "I Can See Clearly Now". Primarily a reggae and pop singer, he was one of the first non-Jamaican artists to record reggae music in Kingston.
https://youtu.be/b0cAWgTPiwM?si=sMAOupCzxH1i36Gw
Early life
Nash was born on August 19, 1940, in Houston, Texas, the son of Eliza (Armstrong) and John Lester Nash. He sang in the choir at Progressive New Hope Baptist Church in South Central Houston as a child. Beginning in 1953, Nash sang covers of R&B hits on Matinee, a local variety show on KPRC-TV; from 1956 he sang on Arthur Godfrey's radio and television programs for a seven-year period. Nash was married three times, and had two children.
Career
1950s
Signing with ABC-Paramount, Nash made his major label debut in 1957 with the single "A Teenager Sings the Blues". He had his first chart hit in early 1958 with a cover of Doris Day's "A Very Special Love".
Nash sang the theme song to the syndicated animated cartoon series The Mighty Hercules, which ran on various television stations from 1963 to 1966.
In 1964, Nash and manager Danny Sims formed JoDa Records in New York. JoDa released The Cowsills' single "All I Really Want to Be Is Me". Although JoDa filed for bankruptcy after only two years, Nash and Sims moved on to marketing American singers to Jamaica, owing to the low cost of recording in that country.
In 1965, Nash had a top five hit in the USBillboardR&Bchart, the ballad "Let's Move and Groove Together".
https://youtu.be/clv4fMxi7PE?si=85gqibTRLU_KzSNW
It was just outside the Top 40 in Canada at #44. That year, he and Sims moved to Jamaica. Their lawyer Newton Willoughby was the father of Jamaican radio host Neville Willoughby. After selling off his old entertainment assets in New York, Sims opened a new music publishing business in Jamaica, Cayman Music. Nash planned to try breaking the local rocksteady sound in the United States. Around 1966 or 1967, Neville Willoughby took Nash to a Rastafarian party where Bob Marley & The Wailing Wailers were performing Members Bob Marley, Bunny Wailer, Peter Tosh, and Rita Marley introduced Nash to the local music scene. Nash signed all four to an exclusive publishing contract with Cayman Music for J$50 a week.
In 1967, Nash, Arthur Jenkins, and Sims collaborated to create a new label, JAD Records (after their first names Johnny, Arthur, and Danny), and recorded their albums at Federal Records in Kingston. JAD released Nash's rocksteady single "Hold Me Tight" in 1968; it became a top-five hit in both the U.S. and UK, and number 1 in Canada. The record sold well in Argentina. According to the January 25 issue of Cash Box, both Nash's version and a version by Anthony Swete were selling strongly. It was charting alongside a version by Anthony Swete in the Argentina's Best Sellers chart.
https://youtu.be/x79a2qB5L-Q?si=JKRM_2SPeMEXhOF7
1970s
In 1971, Nash scored another UK hit with his cover of Marley's "Stir It Up".
https://youtu.be/Mh4Zm6YRHDk?si=K5u9-8b6fEs04Hju
Nash's 1972 reggae-influenced single "I Can See Clearly Now" sold over one million copies, and was awarded a gold disc by the R.I.A.A. in November 1972. "I Can See Clearly Now" reached No. 1 on the Billboard Hot 100 on November 4, 1972, and remained atop the chart for four weeks, spending the same four weeks atop the adult contemporary chart. The I Can See Clearly Now album includes four original Marley compositions published by JAD: "Guava Jelly", "Comma Comma", "You Poured Sugar on Me", and the follow-up hit "Stir It Up". "There Are More Questions Than Answers" was a third hit single taken from the album.
Nash was also a composer for the Swedish romance film Want So Much to Believe (1971), in which he portrayed 'Robert'. The movie soundtrack, partly instrumental reggae with strings, was co-composed by Bob Marley and arranged by Fred Jordan.
JAD Records ceased to exist in 1971, but it was revived in 1997 by American Marley specialist Roger Steffens and French musician and producer Bruno Blum for the Complete Bob Marley & the Wailers 1967–1972 ten-album series, for which several of the Nash-produced Marley and Tosh tracks were mixed or remixed by Blum for release. In the UK, his biggest hit was with the song "Tears on My Pillow" which reached number one in the UK Singles Chart in July 1975 for one week.
https://youtu.be/N8-D8CF4T_4?si=74pT6AZ8UftKU9Su
After a cover of Sam Cooke's "Wonderful World" in 1976 and "Let's Go Dancing" in 1979, for many years Nash seemed to have dropped out of sight.
1980s–1990s
Nash had a brief resurgence in the mid-1980s with the album Here Again (1986), which was preceded by the minor UK hit, "Rock Me Baby".
https://youtu.be/lViyo2xjhiI?si=VPytQzJ9Da0rmHNe
Younger audiences were introduced to Nash's music with the appearance of Jimmy Cliff's cover of "I Can See Clearly Now" in Disney's 1993 hit film Cool Runnings, and Nash's original version appeared over the opening scene of John Cusack's 1997 film, Grosse Point Blank.
2000s
In May 2006, Nash was singing again at SugarHill Recording Studios and at Tierra Studios in his native Houston. Working with SugarHill chief engineer Andy Bradley and Tierra Studios' Randy Miller, he began the work of transferring analog tapes of his songs from the 1970s and 1980s to Pro Tools digital format.
Acting
Nash has four acting credits in film and television. In 1959, he had the lead role as Spencer Scott in Take a Giant Step, directed by Philip Leacock, one of the first black family films written by a black writer. In 1960, he appeared as "Apple" alongside Dennis Hopper in the crime drama Key Witness. In 1971, he played Robert in the Swedish romance Vill så gärna tro.
Death
Nash died of natural causes in his home, surrounded by close family in Houston on October 6, 2020, after a period of declining health. He was 80.
Released in 1959, Johnny Nash’s “The Voice of Love” is a soulful ballad offering guidance on navigating the sometimes confusing world of romantic emotions. The song explores the tension between outward appearances and genuine feelings, urging the listener to be cautious but not cynical in their search for love.
The melancholic melody is punctuated by a steady doo-wop beat, creating a soundscape that reflects the song’s contemplative message. The lyrics paint a picture of potential deception. Someone might look at you and make promises, but those looks and words can be deceiving. “Sweet is her tender sigh,” Nash sings, “But sighs very often lie.”
The chorus serves as the song’s core message: “The voice of love will call to you.” This “voice” isn’t simply spoken words but a deeper sincerity that transcends outward gestures. The song encourages the listener to be patient and discerning. Don’t surrender your heart entirely until you hear this genuine expression of love.
“The Voice of Love” became a signature song for Nash, a Jamaican-born singer who rose to fame in the late 1950s and early 1960s. While his later career would be defined by reggae hits like “I Can See Clearly Now,” “The Voice of Love” showcased his smooth vocals and ability to deliver a heartfelt message.
The song’s message of cautious optimism about love remains relevant today. In an age of online dating and social media curated personas, “The Voice of Love” serves as a reminder to look beyond surface appearances and trust your intuition when seeking a genuine connection.
John Lester Nash Jr. (August 19, 1940 – October 6, 2020) was an American singer, best known in the United States for his 1972 hit “I Can See Clearly Now“. Primarily a reggae and pop singer, he was one of the first non-Jamaican artists to record reggae music in Kingston.
Johnny Nash – I Can See Clearly Now (Official Audio)
Early life
Nash was born on August 19, 1940, in Houston, Texas, the son of Eliza (Armstrong) and John Lester Nash. He sang in the choir at Progressive New Hope Baptist Church in South Central Houston as a child. Beginning in 1953, Nash sang covers of R&B hits on Matinee, a local variety show on KPRC-TV; from 1956 he sang on Arthur Godfrey‘s radio and television programs for a seven-year period. Nash was married three times, and had two children.
Career
1950s
Signing with ABC-Paramount, Nash made his major label debut in 1957 with the single “A Teenager Sings the Blues”. He had his first chart hit in early 1958 with a cover of Doris Day‘s “A Very Special Love”.
1958 HITS ARCHIVE: The Teen Commandments – Paul Anka, George Hamilton IV, and Johnny Nash
1960s
Nash sang the theme song to the syndicated animated cartoon series The Mighty Hercules, which ran on various television stations from 1963 to 1966.
In 1964, Nash and manager Danny Sims formed JoDa Records in New York. JoDa released The Cowsills‘ single “All I Really Want to Be Is Me”. Although JoDa filed for bankruptcy after only two years, Nash and Sims moved on to marketing American singers to Jamaica, owing to the low cost of recording in that country.
In 1965, Nash had a top five hit in the USBillboardR&Bchart, the ballad “Let’s Move and Groove Together”.
Let's Move and Groove Together
It was just outside the Top 40 in Canada at #44. That year, he and Sims moved to Jamaica. Their lawyer Newton Willoughby was the father of Jamaican radio host Neville Willoughby. After selling off his old entertainment assets in New York, Sims opened a new music publishing business in Jamaica, Cayman Music. Nash planned to try breaking the local rocksteady sound in the United States. Around 1966 or 1967, Neville Willoughby took Nash to a Rastafarian party where Bob Marley & The Wailing Wailers were performing Members Bob Marley, Bunny Wailer, Peter Tosh, and Rita Marley introduced Nash to the local music scene. Nash signed all four to an exclusive publishing contract with Cayman Music for J$50 a week.
In 1967, Nash, Arthur Jenkins, and Sims collaborated to create a new label, JAD Records (after their first names Johnny, Arthur, and Danny), and recorded their albums at Federal Records in Kingston. JAD released Nash’s rocksteady single “Hold Me Tight” in 1968; it became a top-five hit in both the U.S. and UK, and number 1 in Canada. The record sold well in Argentina. According to the January 25 issue of Cash Box, both Nash’s version and a version by Anthony Swete were selling strongly. It was charting alongside a version by Anthony Swete in the Argentina’s Best Sellers chart.
Johnny Nash – Hold Me Tight (HD)
1970s
In 1971, Nash scored another UK hit with his cover of Marley’s “Stir It Up“.
Johnny Nash Stir It Up
Nash’s 1972 reggae-influenced single “I Can See Clearly Now” sold over one million copies, and was awarded a gold disc by the R.I.A.A. in November 1972. “I Can See Clearly Now” reached No. 1 on the Billboard Hot 100 on November 4, 1972, and remained atop the chart for four weeks, spending the same four weeks atop the adult contemporary chart. The I Can See Clearly Now album includes four original Marley compositions published by JAD: “Guava Jelly”, “Comma Comma”, “You Poured Sugar on Me”, and the follow-up hit “Stir It Up”. “There Are More Questions Than Answers” was a third hit single taken from the album.
Nash was also a composer for the Swedish romance film Want So Much to Believe (1971), in which he portrayed ‘Robert’. The movie soundtrack, partly instrumental reggae with strings, was co-composed by Bob Marley and arranged by Fred Jordan.
JAD Records ceased to exist in 1971, but it was revived in 1997 by American Marley specialist Roger Steffens and French musician and producer Bruno Blum for the Complete Bob Marley & the Wailers 1967–1972 ten-album series, for which several of the Nash-produced Marley and Tosh tracks were mixed or remixed by Blum for release. In the UK, his biggest hit was with the song “Tears on My Pillow” which reached number one in the UK Singles Chart in July 1975 for one week.
Johnny Nash – Tears On My Pillow • TopPop
After a cover of Sam Cooke’s “Wonderful World” in 1976 and “Let’s Go Dancing” in 1979, for many years Nash seemed to have dropped out of sight.
1980s–1990s
Nash had a brief resurgence in the mid-1980s with the album Here Again (1986), which was preceded by the minor UK hit, “Rock Me Baby”.
Johnny Nash – Rock Me Baby • TopPop
Younger audiences were introduced to Nash’s music with the appearance of Jimmy Cliff‘s cover of “I Can See Clearly Now” in Disney’s 1993 hit film Cool Runnings, and Nash’s original version appeared over the opening scene of John Cusack’s 1997 film, Grosse Point Blank.
2000s
In May 2006, Nash was singing again at SugarHill Recording Studios and at Tierra Studios in his native Houston. Working with SugarHill chief engineer Andy Bradley and Tierra Studios’ Randy Miller, he began the work of transferring analog tapes of his songs from the 1970s and 1980s to Pro Tools digital format.
Acting
Nash has four acting credits in film and television. In 1959, he had the lead role as Spencer Scott in Take a Giant Step, directed by Philip Leacock, one of the first black family films written by a black writer. In 1960, he appeared as “Apple” alongside Dennis Hopper in the crime drama Key Witness. In 1971, he played Robert in the Swedish romance Vill så gärna tro.
Death
Nash died of natural causes in his home, surrounded by close family in Houston on October 6, 2020, after a period of declining health. He was 80.
We firmly believe that the internet should be available and accessible to anyone, and are committed to providing a website that is accessible to the widest possible audience,
regardless of circumstance and ability.
To fulfill this, we aim to adhere as strictly as possible to the World Wide Web Consortium’s (W3C) Web Content Accessibility Guidelines 2.1 (WCAG 2.1) at the AA level.
These guidelines explain how to make web content accessible to people with a wide array of disabilities. Complying with those guidelines helps us ensure that the website is accessible
to all people: blind people, people with motor impairments, visual impairment, cognitive disabilities, and more.
This website utilizes various technologies that are meant to make it as accessible as possible at all times. We utilize an accessibility interface that allows persons with specific
disabilities to adjust the website’s UI (user interface) and design it to their personal needs.
Additionally, the website utilizes an AI-based application that runs in the background and optimizes its accessibility level constantly. This application remediates the website’s HTML,
adapts Its functionality and behavior for screen-readers used by the blind users, and for keyboard functions used by individuals with motor impairments.
If you’ve found a malfunction or have ideas for improvement, we’ll be happy to hear from you. You can reach out to the website’s operators by using the following email
Screen-reader and keyboard navigation
Our website implements the ARIA attributes (Accessible Rich Internet Applications) technique, alongside various different behavioral changes, to ensure blind users visiting with
screen-readers are able to read, comprehend, and enjoy the website’s functions. As soon as a user with a screen-reader enters your site, they immediately receive
a prompt to enter the Screen-Reader Profile so they can browse and operate your site effectively. Here’s how our website covers some of the most important screen-reader requirements,
alongside console screenshots of code examples:
Screen-reader optimization: we run a background process that learns the website’s components from top to bottom, to ensure ongoing compliance even when updating the website.
In this process, we provide screen-readers with meaningful data using the ARIA set of attributes. For example, we provide accurate form labels;
descriptions for actionable icons (social media icons, search icons, cart icons, etc.); validation guidance for form inputs; element roles such as buttons, menus, modal dialogues (popups),
and others. Additionally, the background process scans all of the website’s images and provides an accurate and meaningful image-object-recognition-based description as an ALT (alternate text) tag
for images that are not described. It will also extract texts that are embedded within the image, using an OCR (optical character recognition) technology.
To turn on screen-reader adjustments at any time, users need only to press the Alt+1 keyboard combination. Screen-reader users also get automatic announcements to turn the Screen-reader mode on
as soon as they enter the website.
These adjustments are compatible with all popular screen readers, including JAWS and NVDA.
Keyboard navigation optimization: The background process also adjusts the website’s HTML, and adds various behaviors using JavaScript code to make the website operable by the keyboard. This includes the ability to navigate the website using the Tab and Shift+Tab keys, operate dropdowns with the arrow keys, close them with Esc, trigger buttons and links using the Enter key, navigate between radio and checkbox elements using the arrow keys, and fill them in with the Spacebar or Enter key.Additionally, keyboard users will find quick-navigation and content-skip menus, available at any time by clicking Alt+1, or as the first elements of the site while navigating with the keyboard. The background process also handles triggered popups by moving the keyboard focus towards them as soon as they appear, and not allow the focus drift outside of it.
Users can also use shortcuts such as “M” (menus), “H” (headings), “F” (forms), “B” (buttons), and “G” (graphics) to jump to specific elements.
Disability profiles supported in our website
Epilepsy Safe Mode: this profile enables people with epilepsy to use the website safely by eliminating the risk of seizures that result from flashing or blinking animations and risky color combinations.
Visually Impaired Mode: this mode adjusts the website for the convenience of users with visual impairments such as Degrading Eyesight, Tunnel Vision, Cataract, Glaucoma, and others.
Cognitive Disability Mode: this mode provides different assistive options to help users with cognitive impairments such as Dyslexia, Autism, CVA, and others, to focus on the essential elements of the website more easily.
ADHD Friendly Mode: this mode helps users with ADHD and Neurodevelopmental disorders to read, browse, and focus on the main website elements more easily while significantly reducing distractions.
Blindness Mode: this mode configures the website to be compatible with screen-readers such as JAWS, NVDA, VoiceOver, and TalkBack. A screen-reader is software for blind users that is installed on a computer and smartphone, and websites must be compatible with it.
Keyboard Navigation Profile (Motor-Impaired): this profile enables motor-impaired persons to operate the website using the keyboard Tab, Shift+Tab, and the Enter keys. Users can also use shortcuts such as “M” (menus), “H” (headings), “F” (forms), “B” (buttons), and “G” (graphics) to jump to specific elements.
Additional UI, design, and readability adjustments
Font adjustments – users, can increase and decrease its size, change its family (type), adjust the spacing, alignment, line height, and more.
Color adjustments – users can select various color contrast profiles such as light, dark, inverted, and monochrome. Additionally, users can swap color schemes of titles, texts, and backgrounds, with over 7 different coloring options.
Animations – epileptic users can stop all running animations with the click of a button. Animations controlled by the interface include videos, GIFs, and CSS flashing transitions.
Content highlighting – users can choose to emphasize important elements such as links and titles. They can also choose to highlight focused or hovered elements only.
Audio muting – users with hearing devices may experience headaches or other issues due to automatic audio playing. This option lets users mute the entire website instantly.
Cognitive disorders – we utilize a search engine that is linked to Wikipedia and Wiktionary, allowing people with cognitive disorders to decipher meanings of phrases, initials, slang, and others.
Additional functions – we provide users the option to change cursor color and size, use a printing mode, enable a virtual keyboard, and many other functions.
Browser and assistive technology compatibility
We aim to support the widest array of browsers and assistive technologies as possible, so our users can choose the best fitting tools for them, with as few limitations as possible. Therefore, we have worked very hard to be able to support all major systems that comprise over 95% of the user market share including Google Chrome, Mozilla Firefox, Apple Safari, Opera and Microsoft Edge, JAWS and NVDA (screen readers), both for Windows and for MAC users.
Notes, comments, and feedback
Despite our very best efforts to allow anybody to adjust the website to their needs, there may still be pages or sections that are not fully accessible, are in the process of becoming accessible, or are lacking an adequate technological solution to make them accessible. Still, we are continually improving our accessibility, adding, updating and improving its options and features, and developing and adopting new technologies. All this is meant to reach the optimal level of accessibility, following technological advancements. For any assistance, please reach out to
){kind=link}
Comments