Uploaded by STEVEN ANG on October 29, 2023 at 4:34 pm
Aloha ’Oe – Hawaiian Folk Song
Aloha ʻOe (Song)
From Wikipedia, the free encyclopedia
This article is about the song.
Cover of "Aloha ʻOe", 1890 PlayiQueen Liliʻuokalani, 1908. "Aloha ʻOe" ("Farewell to Thee") is a Hawaiian folk song written c. 1878 by Liliʻuokalani, who was then Princess of the Hawaiian Kingdom. It is her most famous song and is a common cultural symbol for Hawaii.
https://youtu.be/cPW6AT9eBig?si=H2dwPDHJs86FNYTu
Background
The story of the origin of the song has several variations. They all have in common that the song was inspired by a notable farewell embrace given by Colonel James Harbottle Boyd during a horseback trip taken by Princess Liliʻuokalani in 1877 or 1878 to the Boyd ranch in Maunawili on the windward side of Oʻahu, and that the members of the party hummed the tune on the way back to Honolulu.
https://youtu.be/VzM-jo-j4UI?si=VCtWEr4mVdokzwx-
Different versions tell of alternate recipients of the embrace—either Liliʻuokalani's sister Princess Likelike Cleghorn or a young lady at the ranch. According to the most familiar version of the story:
This tender farewell set Liliʻuokalani to thinking, and she began humming to herself on the homeward trip. Overhearing, Charles Wilson observed, "That sounds like The Lone Rock by the Sea," a comment with which Liliʻuokalani is said to have agreed.
https://youtu.be/fhPfI-l4KXQ?si=Dxf1i6mLquBi8gv4
When the party paused to rest in an orange grove on the Honolulu side of the Pali, the others joined in the hummings, and the song was completed later at Washington Place.
https://youtu.be/N5fOw2msoMI?si=JgjYG30jE6C6xD6Y
The Hawaiʻi State Archives preserves a hand-written manuscript by Liliʻuokalani, dated 1878, with the score of the song, the lyrics, Liliʻuokalani's English translation, and her note evidently added later: "Composed at Maunawili 1878. Played by the Royal Hawaiian Band in San Francisco August 1883 and became very popular."
The first known recording of the song was released by Berliner Gramophone in 1898. A catalogue issued by Columbia Records in 1901 mentioned two wax cylinders labeled "Vocal Solos in Hawaiian", containing some of the earlier recordings of "Aloha ʻOe"
https://youtu.be/DZ2L5wRHVJU
and "Kuʻu Pua I Paoakalani".
https://youtu.be/OYmd1iG-VLk?si=1thD2vfUYNQmlWLF
However, it is uncertain if this was recorded in Hawaii or if the performer was Hawaiian and the cylinders are now lost.
Columbia Records later recorded a duet of the song by Nani Alapai and Henry N. Clark in 1911. A 1913 score can be seen at the Levy Sheet Music Collection.
https://youtu.be/t63FT6ftaCk?si=0CZPOmid3V4IgsMt
Lyrics
Haʻaheo e ka ua i nā pali
Proudly swept the rain by the cliffs
Ke nihi aʻela i ka nahele
As it glided through the trees
E hahai (uhai) ana paha i ka liko
Still following ever the bud
Pua ʻāhihi lehua o uka
The ʻāhihi lehua of the vale
Hui:
Chorus:
Aloha ʻoe, aloha ʻoe
Farewell to thee, farewell to thee
E ke onaona noho i ka lipo
The charming one who dwells in the shaded bowers
One fond embrace,
One fond embrace,
A hoʻi aʻe au
Ere I depart
Until we meet again
Until we meet again
ʻO ka haliʻa aloha i hiki mai
Sweet memories come back to me
Ke hone aʻe nei i
Bringing fresh remembrances
Kuʻu manawa
Of the past
ʻO ʻoe nō kuʻu ipo aloha
Dearest one, yes, you are mine own
A loko e hana nei
From you, true love shall never depart
Tomago:
Refrain:
Maopopo kuʻu ʻike i ka nani
I have seen and watched your loveliness
Nā pua rose o Maunawili
The sweet rose of Maunawili
I laila hiaʻai nā manu
And 'tis there the birds of love dwell
Mikiʻala i ka nani o ka liko
And sip the honey from your lips
Hui
Chorus
Musicology
Parts of "Aloha 'Oe" resemble the song "The Lone Rock by the Sea" and the chorus of George Frederick Root's 1854 song "There's Music in the Air".
https://youtu.be/qQmM_O8Ni3E?si=7Ffc6lS_KKSkaJzX
"The Lone Rock by the Sea" mentioned by Charles Wilson, was "The Rock Beside the Sea" published by Charles Crozat Converse in 1857, and itself derives from a Croatian/Serbian folk song, "Sedi Mara na kamen studencu" (Mary is Sitting on a Stone Well).
https://youtu.be/q0lWPTYl5D0?si=yB-v1KXBzQsaiLGp
The "Aloha Oe" Chorus melody was also used as the counterpoint to the chorus of the jazz song, Hula Lou
2016 Train to Busan – partially sung by one of the main characters, and is also instrumental in the film's conclusion.
In popular culture
An instrumental rendition performed by George Kulokahai, is featured in many episodes of SpongeBob SquarePants as background music.
https://youtu.be/Y66IUN9Lo30?si=su1FDggWAoD5axXD
The song has appeared in several instances throughout Disney's Lilo & Stitch franchise. In Lilo & Stitch (2002), Nani sings it to Lilo as a farewell the night before they were to be separated. In the Lilo & Stitch: The Series episode "Spooky" (2003), Lilo reveals to Stitch that she sings the song to herself as a coping mechanism, which leads to Stitch doing so for himself later in the same episode, to Lilo's approval.
https://youtu.be/v6cYHXcWAN0?si=VEyNJKJU8KzvAYhU
In Leroy & Stitch (2006), Jumba Jookiba uses Elvis Presley's cover of the song during the creation of Leroy to secretly program a fail-safe within him; this is exploited during the climax in Stitch (dressed up as Presley), Lilo, and Reuben (along with several of the Experiments near the end) play an upbeat rock version during the finale to shut Leroy and his clones down.
https://youtu.be/AFqRybFCPLg?si=ijWsFex7cgqw-kCI
In the episode "Cruise Cat" of Tom and Jerry (1952), a guitar version of this song plays in the background.
https://youtu.be/HrdaQTgmXVc?si=-24KknFnjO-6sLwq
In the first episode of the 1963 Hanna-Barbera cartoon Top Cat entitled "Hawaii, Here We Come", at the start of the episode, Benny the Ball sings the song, after winning a free trip to Hawaii, sometime later Officer Dibble also sings the song. They both however replace some of the lyrics with English ones.
In the 1953 cartoon short, Duck Amuck part of it is briefly sung by Daffy Duck when the scenery is changed to a Hawaiian setting, courtesy of a sadistic mystery animator and again in A Squeak in the Deep.
https://youtu.be/4lIlUGAsRcY
In the 1958 Oscar-winning short Knighty Knight Bugs, the cartoon ends with an enchanted sword performing an instrumental version of the song (played by a musical saw).
The chorus of the song serves as the intro for Spike Jones' interpretation of "Hawaiian War Chant". ("As the sun pulls away from the shore, and our boat sinks slowly in the west...")
https://youtu.be/q7swR8MATA0?si=Nq5CrO_w-lCerfj6
The song also appeared in the Popeye the Sailor short, Alona on the Sarong Seas, where it was played in the beginning of the short, and after Popeye eats his spinach.
https://youtu.be/w72vujxIFzI?si=rvkigPV090l7fC9Z
In the Japanese animeSpace Dandy (created in 2014), the eponymous main character is captain of a spaceship called the Aloha Oe.
The Jack London short story Aloha Oe features the chorus of the song.
When Jiang Zemin, then-Chinese President and the General Secretary of the Chinese Communist Party, arrived at Hawaii at the beginning of his state visit to U.S. in October 1997, he played "Aloha ‘Oe" with a Hawaiian lap steel guitar and invited then Hawaiian First Lady Vicky Cayetano to sing the song at a dinner with the presence of Governor Ben Cayetano. Jiang recounted that he used to frequently play this song when he was in college in 1940s.
The castaways sing the song as a good luck charm to a robot toward the end of the Gilligan's Island episode "Gilligan's Living Doll", as it is about to walk from the island underwater all the way to Hawaii.
The song is played in the eighth episode of the 8th season of The Simpsons, "Hurricane Neddy", when Ned Flanders drives away to the psychiatric hospital.
https://youtu.be/QDslOEl6SeM?si=BSKkWymDIsydbo57
The song appeared in episode 4 of the HBO miniseries The White Lotus.
Cover of “Aloha ʻOe”, 1890 PlayiQueen Liliʻuokalani, 1908. “Aloha ʻOe” (“Farewell to Thee”) is a Hawaiian folk song written c. 1878 by Liliʻuokalani, who was then Princess of the Hawaiian Kingdom. It is her most famous song and is a common cultural symbol for Hawaii.
Story Behind the Song | Aloha 'Oe | by Ukulele Mele
Background
The story of the origin of the song has several variations. They all have in common that the song was inspired by a notable farewell embrace given by Colonel James Harbottle Boyd during a horseback trip taken by Princess Liliʻuokalani in 1877 or 1878 to the Boyd ranch in Maunawili on the windward side of Oʻahu, and that the members of the party hummed the tune on the way back to Honolulu.
Different versions tell of alternate recipients of the embrace—either Liliʻuokalani’s sister Princess Likelike Cleghorn or a young lady at the ranch. According to the most familiar version of the story:
This tender farewell set Liliʻuokalani to thinking, and she began humming to herself on the homeward trip. Overhearing, Charles Wilson observed, “That sounds like The Lone Rock by the Sea,” a comment with which Liliʻuokalani is said to have agreed.
Paul Pepper: Folk Musicians Cathy and Dave, "Lone Rock By The Sea" (Performance)
When the party paused to rest in an orange grove on the Honolulu side of the Pali, the others joined in the hummings, and the song was completed later at Washington Place.
Liliuokalani – Aloha Oe (1877)
The Hawaiʻi State Archives preserves a hand-written manuscript by Liliʻuokalani, dated 1878, with the score of the song, the lyrics, Liliʻuokalani’s English translation, and her note evidently added later: “Composed at Maunawili 1878. Played by the Royal Hawaiian Band in San Francisco August 1883 and became very popular.”
The first known recording of the song was released by Berliner Gramophone in 1898. A catalogue issued by Columbia Records in 1901 mentioned two wax cylinders labeled “Vocal Solos in Hawaiian”, containing some of the earlier recordings of “Aloha ʻOe”
"Aloha Oe" ~ 1927 Rare 6" Bingola Record – Nifty Nirona German Toy Gramophone / Phonograph
and “Kuʻu Pua I Paoakalani”.
Ku'u Pua I Paoakalani | Halau Hi'i'akainamakalehua
However, it is uncertain if this was recorded in Hawaii or if the performer was Hawaiian and the cylinders are now lost.
Columbia Records later recorded a duet of the song by Nani Alapai and Henry N. Clark in 1911. A 1913 score can be seen at the Levy Sheet Music Collection.
ALOHA OE by Madame Alapai 1911 – Made in Hawaii
Lyrics
Haʻaheo e ka ua i nā pali
Proudly swept the rain by the cliffs
Ke nihi aʻela i ka nahele
As it glided through the trees
E hahai (uhai) ana paha i ka liko
Still following ever the bud
Pua ʻāhihi lehua o uka
The ʻāhihi lehua of the vale
Hui:
Chorus:
Aloha ʻoe, aloha ʻoe
Farewell to thee, farewell to thee
E ke onaona noho i ka lipo
The charming one who dwells in the shaded bowers
One fond embrace,
One fond embrace,
A hoʻi aʻe au
Ere I depart
Until we meet again
Until we meet again
ʻO ka haliʻa aloha i hiki mai
Sweet memories come back to me
Ke hone aʻe nei i
Bringing fresh remembrances
Kuʻu manawa
Of the past
ʻO ʻoe nō kuʻu ipo aloha
Dearest one, yes, you are mine own
A loko e hana nei
From you, true love shall never depart
Tomago:
Refrain:
Maopopo kuʻu ʻike i ka nani
I have seen and watched your loveliness
Nā pua rose o Maunawili
The sweet rose of Maunawili
I laila hiaʻai nā manu
And ’tis there the birds of love dwell
Mikiʻala i ka nani o ka liko
And sip the honey from your lips
Hui
Chorus
Musicology
Parts of “Aloha ‘Oe” resemble the song “The Lone Rock by the Sea” and the chorus of George Frederick Root‘s 1854 song “There’s Music in the Air”.
George F. Root: Music in the Air
“The Lone Rock by the Sea” mentioned by Charles Wilson, was “The Rock Beside the Sea” published by Charles Crozat Converse in 1857, and itself derives from a Croatian/Serbian folk song, “Sedi Mara na kamen studencu” (Mary is Sitting on a Stone Well).
Zvonko Bogdan – Sedi Mara na kamen studencu
The “Aloha Oe” Chorus melody was also used as the counterpoint to the chorus of the jazz song, Hula Lou
2016 Train to Busan – partially sung by one of the main characters, and is also instrumental in the film’s conclusion.
In popular culture
An instrumental rendition performed by George Kulokahai, is featured in many episodes of SpongeBob SquarePants as background music.
SpongeBob SquarePants Production Music – Aloha Oe
The song has appeared in several instances throughout Disney’s Lilo & Stitch franchise. In Lilo & Stitch (2002), Nani sings it to Lilo as a farewell the night before they were to be separated. In the Lilo & Stitch: The Series episode “Spooky” (2003), Lilo reveals to Stitch that she sings the song to herself as a coping mechanism, which leads to Stitch doing so for himself later in the same episode, to Lilo’s approval.
Tia Carrere – Aloha 'Oe Full Version [Lilo & Stitch Soundtrack]
In Leroy & Stitch (2006), Jumba Jookiba uses Elvis Presley‘s cover of the song during the creation of Leroy to secretly program a fail-safe within him; this is exploited during the climax in Stitch (dressed up as Presley), Lilo, and Reuben (along with several of the Experiments near the end) play an upbeat rock version during the finale to shut Leroy and his clones down.
Leroy & Stitch – Aloha 'Oe [HD]
In the episode “Cruise Cat” of Tom and Jerry (1952), a guitar version of this song plays in the background.
Tom and Jerry – Cruise Cat
In the first episode of the 1963 Hanna-Barbera cartoon Top Cat entitled “Hawaii, Here We Come”, at the start of the episode, Benny the Ball sings the song, after winning a free trip to Hawaii, sometime later Officer Dibble also sings the song. They both however replace some of the lyrics with English ones.
In the 1953 cartoon short, Duck Amuck part of it is briefly sung by Daffy Duck when the scenery is changed to a Hawaiian setting, courtesy of a sadistic mystery animator and again in A Squeak in the Deep.
Looney Tunes – Duck Amuck
In the 1958 Oscar-winning short Knighty Knight Bugs, the cartoon ends with an enchanted sword performing an instrumental version of the song (played by a musical saw).
The chorus of the song serves as the intro for Spike Jones‘ interpretation of “Hawaiian War Chant“. (“As the sun pulls away from the shore, and our boat sinks slowly in the west…”)
Spike Jones Hawaiian War Chant
The song also appeared in the Popeye the Sailor short, Alona on the Sarong Seas, where it was played in the beginning of the short, and after Popeye eats his spinach.
Popeye the Sailor – Alona on the Sarong Seas
In the Japanese animeSpace Dandy (created in 2014), the eponymous main character is captain of a spaceship called the Aloha Oe.
The Jack London short story Aloha Oe features the chorus of the song.
When Jiang Zemin, then-Chinese President and the General Secretary of the Chinese Communist Party, arrived at Hawaii at the beginning of his state visit to U.S. in October 1997, he played “Aloha ‘Oe” with a Hawaiian lap steel guitar and invited then Hawaiian First Lady Vicky Cayetano to sing the song at a dinner with the presence of Governor Ben Cayetano. Jiang recounted that he used to frequently play this song when he was in college in 1940s.
The castaways sing the song as a good luck charm to a robot toward the end of the Gilligan’s Island episode “Gilligan’s Living Doll”, as it is about to walk from the island underwater all the way to Hawaii.
The song is played in the eighth episode of the 8th season of The Simpsons, “Hurricane Neddy“, when Ned Flanders drives away to the psychiatric hospital.
Flanders goes to mental hospital
The song appeared in episode 4 of the HBO miniseries The White Lotus.
We firmly believe that the internet should be available and accessible to anyone, and are committed to providing a website that is accessible to the widest possible audience,
regardless of circumstance and ability.
To fulfill this, we aim to adhere as strictly as possible to the World Wide Web Consortium’s (W3C) Web Content Accessibility Guidelines 2.1 (WCAG 2.1) at the AA level.
These guidelines explain how to make web content accessible to people with a wide array of disabilities. Complying with those guidelines helps us ensure that the website is accessible
to all people: blind people, people with motor impairments, visual impairment, cognitive disabilities, and more.
This website utilizes various technologies that are meant to make it as accessible as possible at all times. We utilize an accessibility interface that allows persons with specific
disabilities to adjust the website’s UI (user interface) and design it to their personal needs.
Additionally, the website utilizes an AI-based application that runs in the background and optimizes its accessibility level constantly. This application remediates the website’s HTML,
adapts Its functionality and behavior for screen-readers used by the blind users, and for keyboard functions used by individuals with motor impairments.
If you’ve found a malfunction or have ideas for improvement, we’ll be happy to hear from you. You can reach out to the website’s operators by using the following email
Screen-reader and keyboard navigation
Our website implements the ARIA attributes (Accessible Rich Internet Applications) technique, alongside various different behavioral changes, to ensure blind users visiting with
screen-readers are able to read, comprehend, and enjoy the website’s functions. As soon as a user with a screen-reader enters your site, they immediately receive
a prompt to enter the Screen-Reader Profile so they can browse and operate your site effectively. Here’s how our website covers some of the most important screen-reader requirements,
alongside console screenshots of code examples:
Screen-reader optimization: we run a background process that learns the website’s components from top to bottom, to ensure ongoing compliance even when updating the website.
In this process, we provide screen-readers with meaningful data using the ARIA set of attributes. For example, we provide accurate form labels;
descriptions for actionable icons (social media icons, search icons, cart icons, etc.); validation guidance for form inputs; element roles such as buttons, menus, modal dialogues (popups),
and others. Additionally, the background process scans all of the website’s images and provides an accurate and meaningful image-object-recognition-based description as an ALT (alternate text) tag
for images that are not described. It will also extract texts that are embedded within the image, using an OCR (optical character recognition) technology.
To turn on screen-reader adjustments at any time, users need only to press the Alt+1 keyboard combination. Screen-reader users also get automatic announcements to turn the Screen-reader mode on
as soon as they enter the website.
These adjustments are compatible with all popular screen readers, including JAWS and NVDA.
Keyboard navigation optimization: The background process also adjusts the website’s HTML, and adds various behaviors using JavaScript code to make the website operable by the keyboard. This includes the ability to navigate the website using the Tab and Shift+Tab keys, operate dropdowns with the arrow keys, close them with Esc, trigger buttons and links using the Enter key, navigate between radio and checkbox elements using the arrow keys, and fill them in with the Spacebar or Enter key.Additionally, keyboard users will find quick-navigation and content-skip menus, available at any time by clicking Alt+1, or as the first elements of the site while navigating with the keyboard. The background process also handles triggered popups by moving the keyboard focus towards them as soon as they appear, and not allow the focus drift outside of it.
Users can also use shortcuts such as “M” (menus), “H” (headings), “F” (forms), “B” (buttons), and “G” (graphics) to jump to specific elements.
Disability profiles supported in our website
Epilepsy Safe Mode: this profile enables people with epilepsy to use the website safely by eliminating the risk of seizures that result from flashing or blinking animations and risky color combinations.
Visually Impaired Mode: this mode adjusts the website for the convenience of users with visual impairments such as Degrading Eyesight, Tunnel Vision, Cataract, Glaucoma, and others.
Cognitive Disability Mode: this mode provides different assistive options to help users with cognitive impairments such as Dyslexia, Autism, CVA, and others, to focus on the essential elements of the website more easily.
ADHD Friendly Mode: this mode helps users with ADHD and Neurodevelopmental disorders to read, browse, and focus on the main website elements more easily while significantly reducing distractions.
Blindness Mode: this mode configures the website to be compatible with screen-readers such as JAWS, NVDA, VoiceOver, and TalkBack. A screen-reader is software for blind users that is installed on a computer and smartphone, and websites must be compatible with it.
Keyboard Navigation Profile (Motor-Impaired): this profile enables motor-impaired persons to operate the website using the keyboard Tab, Shift+Tab, and the Enter keys. Users can also use shortcuts such as “M” (menus), “H” (headings), “F” (forms), “B” (buttons), and “G” (graphics) to jump to specific elements.
Additional UI, design, and readability adjustments
Font adjustments – users, can increase and decrease its size, change its family (type), adjust the spacing, alignment, line height, and more.
Color adjustments – users can select various color contrast profiles such as light, dark, inverted, and monochrome. Additionally, users can swap color schemes of titles, texts, and backgrounds, with over 7 different coloring options.
Animations – epileptic users can stop all running animations with the click of a button. Animations controlled by the interface include videos, GIFs, and CSS flashing transitions.
Content highlighting – users can choose to emphasize important elements such as links and titles. They can also choose to highlight focused or hovered elements only.
Audio muting – users with hearing devices may experience headaches or other issues due to automatic audio playing. This option lets users mute the entire website instantly.
Cognitive disorders – we utilize a search engine that is linked to Wikipedia and Wiktionary, allowing people with cognitive disorders to decipher meanings of phrases, initials, slang, and others.
Additional functions – we provide users the option to change cursor color and size, use a printing mode, enable a virtual keyboard, and many other functions.
Browser and assistive technology compatibility
We aim to support the widest array of browsers and assistive technologies as possible, so our users can choose the best fitting tools for them, with as few limitations as possible. Therefore, we have worked very hard to be able to support all major systems that comprise over 95% of the user market share including Google Chrome, Mozilla Firefox, Apple Safari, Opera and Microsoft Edge, JAWS and NVDA (screen readers), both for Windows and for MAC users.
Notes, comments, and feedback
Despite our very best efforts to allow anybody to adjust the website to their needs, there may still be pages or sections that are not fully accessible, are in the process of becoming accessible, or are lacking an adequate technological solution to make them accessible. Still, we are continually improving our accessibility, adding, updating and improving its options and features, and developing and adopting new technologies. All this is meant to reach the optimal level of accessibility, following technological advancements. For any assistance, please reach out to
Comments