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Cliffhanger is a 1993 American action–adventure film directed by Renny Harlin and starring Sylvester Stallone, John Lithgow, Michael Rooker and Janine Turner. Based on a concept by climber John Long, the film follows Gabe (played by Stallone, who co-wrote the screenplay), a mountain climber who becomes embroiled in a heist of a U.S. Treasury plane flying through the Rocky Mountains. Released on 28 May 1993, the film earned $255 million worldwide.

Production

Development and writing

Carolco Pictures had originally signed Sylvester Stallone to appear opposite John Candy in a comedy about feuding neighbors titled Bartholomew Vs. Neff, which was going to be written and directed by John Hughes. When that project was dropped, Stallone became involved in two other Carolco projects. The first one was the futuristic science-fiction horror film Isobar, which was about a genetically-created monster who breaks free on a high-speed runaway train. Between 1987, when Carolco first bought the original script by Jim Uhls for $400,000, and 1991, directors Ridley Scott and Roland Emmerich were each at different points in time attached to direct the film which would have had a $90 million budget with Stallone and Kim Basinger playing the main roles. However, due to disagreements between them and Carolco and producer Joel Silver about the script changes and lack of artistic freedom, both Scott and Emmerich gave up on the project, which in the end was cancelled.

The second Carolco project in which Stallone was involved was an action disaster thriller entitled Gale Force, described as “Die Hard in a hurricane”, which Renny Harlin was going to direct, and in which Stallone would play an ex-Navy SEAL who has to fight against a group of modern pirates who attack a coastal town during a large, catastrophic hurricane. The first version of the script for the film was written by David Chappe in 1984, who then wrote six more drafts between 1987 and 1989, and after his final draft received some praise and following the bidding war between several studios for it in 1989, Carolco bought his final draft for $500,000, with a promise of an additional $200,000 if the movie were made. Harlin was paid $3 million for directing the film, but because his contract also gave him full control of the project, he demanded many re-writes of the script to, amongst other things, increase the number of action sequences and make them bigger. Between 1990 and 1991 while they were working on the project, Carolco spent over $4 million on all the different screenwriters and versions of the script. One of the screenwriters who worked on it, Joe Eszterhas, was paid $500,000 to write his version. He re-wrote it as an erotic thriller, similar to his previous screenplays, so it was rejected.

Carolco, believing the intended $40 million budget would be too big, and unable to figure out how to make special effects for the film, cancelled that project two weeks before production was supposed to begin. But Harlin still kept his $3 million, and he and Stallone and everyone else involved in it then moved on to Cliffhanger, another Carolco project, which had a budget of $70 million, almost double that of Gale Force.

Before production began, Stallone rewrote Michael France‘s script. His work changed the film significantly enough that Carolco petitioned the Writer’s Guild of America for him to get credit.

Half of the film’s budget was provided by TriStar Pictures in exchange for complete distribution rights in North America, Mexico, Australia, New Zealand, Germany, and France. Other funding was provided by Rizzoli-Corriere della Sera, Le Studio Canal+, and Pioneer Electric Corporation. The financing arrangement was the result of Carolco’s serious debt issues, and as a result, the studio would ultimately receive very little of the box office gross. During principal photography, production was shut down twice when Carolco could not afford to pay the crew; the movie went $40 million over budget. Stallone reportedly had to forego $2 million of his $15 million salary as a result.

The large majority of the film’s scenes were shot in the Dolomites in Cortina d’Ampezzo, Italy. For example, the bridge scene was shot on Monte Cristallo in the via ferrata VF Ivano Dibona, which was reconstructed immediately after the movie. The climbing was mostly on the Tofane cliffs, and in some scenes toward the end of the movie the audience clearly sees the three Tofane, the Croda da Lago, and the town of Cortina; the location of this is on top of Mount Faloria, at the arrival of the funivia Faloria. In other scenes are the sentiero ferrato Astaldi, over the Rifugio Dibona. The small house has been constructed on the sand of the river Boite, in Fiames, close to the heliport. Some filming took place in Durango, Colorado. The credits of the film also thank the Ute Tribe for filming in the Ute Mountain reservation.

Cliffhanger is in the Guinness Book of World Records for the costliest aerial stunt ever performed. Stuntman Simon Crane was paid $1 million to perform the aerial transfer scene, where he crossed between two planes at an altitude of 15,000 feet (4,600 m).

The principal climbing doubles were Ron Kauk and Wolfgang Güllich. Kauk performed as Stallone’s climbing double after Güllich died in a car accident in 1992. The doubles filled in for Stallone on most of the climbing scenes due to the actor’s fear of heights; an injury to Stallone’s hand, reported to have occurred on one of the cliffs, actually occurred on a soundstage.

When asked about the director’s cut, Stallone explained that “the director’s cut was met with a lot of disapproval at the screening and received some alarmingly low scores. Mainly because the stunts were absurdly overblown. For example, the average man can jump maybe twelve feet across a gorge, and the stunts had me leaping maybe three hundred feet or more, so situations like that had to be pared down and still then were fairly extreme…so you’re probably better off with this cut. By the way, the 2nd unit crew that filmed the majority of the action was extraordinary.”

Music

Review scores
Source	Rating
AllMusic

The orchestral score to Cliffhanger was composed by film score veteran Trevor Jones with the National Philharmonic Orchestra. In his review for the Cliffhanger soundtrack, Filmtracks.com reviewer Christian Clemmensen mentioned its similarities to Jones’ previous work on The Last of the Mohicans, stating: “with Cliffhanger would come a title theme strikingly similar to that of Last of the Mohicans, possibly too reminiscent in fact for some listeners to tolerate.” However, his review was still positive, giving the Cliffhanger score four out of a possible five stars, concluding, “No matter your view of whether or not composers should recycle their own material, Jones’ main identity for Cliffhanger stands on its own as a remarkable piece, and an often enjoyable action underscore will maintain your interest in between the theme’s statements.” The soundtrack has been released twice; through Scotti Bros./BMG Music on 23 May 1993 and an extended version through Intrada Records on 21 February 2011.

Release

Cut version[edit]

For its British cinema release, the film was cut by over a minute, then by a further 16 seconds on video and DVD to gain a ’15’ certificate. Chief victim was the scene in which Delmar beats up Tucker, but other cuts included aggressive strong language and other moments of violence. However, the 2008 DVD release was given a ’15’ with no cuts made.^[20]

Reception

Box office

The film was a box office hit grossing $255 million worldwide. The film grossed $84 million in the United States and Canada, $14 million in the United Kingdom and $13 million in Germany. It spent 11 consecutive weeks at the top of the Japanese box office.

Critical response

On Rotten Tomatoes the film has an approval rating of 67% based on 55 reviews, with an average rating of 6.2/10. The website’s critical consensus reads, “While it can’t escape comparisons to the movies it borrows from, Cliffhanger is a tense, action-packed thriller and a showcase for the talents that made Sylvester Stallone a star.”^[27] On Metacritic the film has a score of 60 out of 100 based on reviews from 16 critics. Audiences polled by CinemaScore gave the film an average grade of “B” on an A+ to F scale.

The film was screened out of competition at the 1993 Cannes Film Festival. It was nominated for three Academy Awards: Best Sound (Michael Minkler, Bob Beemer, and Tim Cooney), Best Sound Effects Editing (Gregg Baxter), and Best Visual Effects, all losing to Jurassic Park.

It was nominated for Worst Picture, Worst Supporting Actor (John Lithgow), Worst Supporting Actress (Janine Turner), and Worst Screenplay at the 14th Golden Raspberry Awards. Roger Ebert gave the film 3 out of 4 stars. Although most people enjoyed Lithgow’s performance, he was criticized for his inauthentic-sounding English accent, especially when next to native English actors Fairbrass and Goodall.

The film has been criticized for its unrealistic portrayal of rock climbing. One example is the feature of the Piton gun which fires pitons directly into rock, forgoing the usual rock-drilling and piton-hammering used in rock climbing. This ignores certain material properties of rock that should cause the piton gun’s impact site to shatter and explode with flaky projectiles. The piton gun is considered the most serious of the film’s technical inaccuracies. Further examples are showing athletic moves, which have no use in real climbing, or free soloing with – then also completely useless – gear.

Other media

Sequel and remake

Around 1994, TriStar Pictures planned to make a sequel of the film titled The Dam (or Cliffhanger 2: The Dam), which would have Stallone’s character Gabe Walker fighting against terrorists who took over Hoover Dam, but it never went beyond development stage. In 2008, once again there were plans to make this sequel, and even Stallone was interested, but it was cancelled.

In May 2009, it was announced that StudioCanal would be overseeing a remake of Cliffhanger. Neal H. Moritz was set to produce, with filming due to begin in 2010. In May 2014, Joe Gazzam was set to write the script for the film.

In 2015 on his official Instagram, Stallone stated he would love to make a sequel to Cliffhanger, which puts doubt on whether a reboot will actually happen. In 2019, a female-fronted ‘Cliffhanger’ reboot was announced, written by Sascha Penn, to be directed by Ana Lily Amirpour and Jason Momoa in talks to cameo.

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