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From Wikipedia, the free encyclopedia
| “Some Sunday Morning” | |
|---|---|
| Song | |
| Written | Richard Armstrong Whiting |
| Published | 1917 |
“Some Sunday Morning” is the title of two well-known American songs. The first has music written by Richard A. Whiting with lyrics by Gus Kahn and Raymond B. Egan, and was recorded by Ada Jones and Billy Murray in 1917. The second has music by M.K. Jerome and Ray Heindorf, with lyrics by Ted Koehler, and was introduced in the 1945 film San Antonio by Alexis Smith.
The song was nominated for the Academy Award for Best Original Song in 1945 but lost out to “It Might as Well Be Spring”. It was also recorded that year by Helen Forrest and Dick Haymes, peaking at No. 9 on the Billboard chart.
Legacy
The Jerome-Heindorf-Koehler tune was sung by Sylvester the Cat in the 1948 Merrie Melodies cartoon Back Alley Oproar
by Clint Walker and Joan Weldon in the 1957 Cheyenne episode “The Conspirators”
and by Peggy King in the 1959 Maverick episode “The Strange Journey of Jenny Hill”.
Doris Day
Wayne Newton
George Gershwin
Frank Sinatra
Lulu Belle and Scotty
Ginny Simms
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| San Antonio | |
|---|---|
| Theatrical poster | |
| Directed by | David Butler Robert Florey (uncredited) Raoul Walsh (uncredited) |
| Produced by | Robert Buckner |
| Written by | Alan Le May W. R. Burnett |
| Starring | Errol Flynn Alexis Smith |
| Music by | Ray Heindorf Max Steiner M. K. Jerome Erich Wolfgang Korngold (uncredited) |
| Cinematography | Bert Glennon |
| Edited by | Irene Morra |
| Distributed by | Warner Bros. |
| Release date | December 29, 1945 |
| Running time | 109 minutes |
| Country | United States |
| Language | English |
| Budget | $2,232,000 |
| Box office | $3 million (US rentals in 1946) or $5,899,000 |
San Antonio is a 1945 Western Technicolor film starring Errol Flynn and Alexis Smith. The film was written by W. R. Burnett and Alan Le May, and directed by David Butler as well as uncredited Robert Florey and Raoul Walsh.
The film was nominated for 2 Academy Awards; for Best Original Song (“Some Sunday Morning”) and Best Art Direction (Ted Smith, Jack McConaghy).
Production
Development
W.R. Burnett, one of the writers, said Warner Bros had the idea of getting Max Brand to write an Errol Flynn Western. Burnett says “They gave him carte blanche, which they never did, because of his enormous reputation. He used to come in every day with a briefcase and go out every night with a briefcase. We found out later he brought in two quarts of gin every day and drank them up-took the empties out.”
Burnett says a few months later he got a call from Jim Geller, head of Warners story department, saying they had a shooting date, Flynn and a color commitment, but Brand had come up with “a very original idea for us. A Western in which there’s no action.” Geller told Burnett to come up with a story with producer Robert Buckner.
(According to a later article on Brand, the author contributed to the scripts of the Flynn films Uncertain Glory, The Adventures of Don Juan and Montana before becoming a war correspondent and being killed in May 1944.)
Burnett says he wrote the script in three weeks then rewrote it. He says he pitched Marlene Dietrich for Flynn’s co star; Jack Warner was enthusiastic but did not want to pay Dietrich’s fee especially when he had so many actors under contract.
In March 1944, Warners announced they would make the film from a script by Burnett with Raoul Walsh to direct. It was the third in a series of Westerns he made named after a city, following Dodge City and Virginia City.
In June it was announced that Raymond Massey, who had made Santa Fe Trail with Flynn, was going to play the second male lead. He was initially replaced by Zachary Scott, and Alexis Smith was selected as the female lead. By July David Butler had been assigned to direct and Paul Kelly, not Scott, was to play the villain.
Writer W.R. Burnett said when Butler was given the job of directing it “scared the hell out of us because he had never made anything but musicals. But he got a good picture out of it.
Shooting
Shooting started September 1944. The film was shot at Warners’ Calabasas Ranch.
Director David Butler said Warners “built probably the longest street that was ever built for a Western at Warners” for the film and “they built it the wrong way.”
Butler says he was warned about working with Flynn but “I never met a nicer man in my entire life. He did everything he was told.” Butler says Flynn was only drunk once, for a close up, and was always on time.
Actor Hap Hogan died during filming.
“That was a fine, well done picture,” said Butler. “We had a lot of fun and Flynn was great.”
Reception
Box Office
The film was Flynn’s most popular movie of the mid 1940s, earning $3,553,000 domestically and $2,346,000 foreign.[16] It was Warners’ third most popular film of the year, after Saratoga Trunk and Night and Day.
Critical
Filmink magazine argued “there is something anonymous about the film – none of the sequences reach the delirious excesses found in the Dodge City trilogy, for instance; it’s less silly than anything in those movies but also less memorable.”
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